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              <text>Cristian Antillanca, 1974-, Nació en Huiro, Corral, en una comunidad mapuche lafkenche de la Provincia de Valdivia (Región de Los Ríos).   Ha publicado los libros Pu Aní¼nka í‘i Tapí¼lmu Iní¼fnarkí¼lerpí¼y Narantí¼ (La tarde cae en las hojas de los árboles", Ediciones Nolmen, Fútawillimapu, 2006) y "Cuentos del olvido" (Nguyunentungeyechi Puke Epew, Huiro lof, 2009). Ha publicado poesía en diversas antologías. A su vez, obtuvo  la Beca de Creación Literaria para Escritores Profesionales el año 2009, proyecto literario que dio origen al libro Canto y vuelo de las aves tormentosas (Del Aire Ediciones, 2014).</text>
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              <text>Ver online &lt;a href="http://issuu.com/danielafdg/docs/versos_a_mi_tierra"&gt;http://issuu.com/danielafdg/docs/versos_a_mi_tierra&lt;/a&gt;</text>
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                <text>Versos a mi Tierra y a mi Gente</text>
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                <text>El Huaso Quiroz, además de huaso por antonomasia, es cantor a lo pueta, inventor de décimas y brindis, payador del Calle Calle y cuequero empedernido. Hijo de padre payador, con quien compartió diversos desafíos, aprendió desde muy joven este particular oficio de poesía popular. Desde los 19 años ha formado parte de diversas agrupaciones folclóricas y artísticas, donde siempre se ha destacado por la creatividad de sus versos introductorios, brindis, payas y décimas. En este libro podrán encontrar una recopilación de variados versos de este autor, que como indica su nombre, honran a la tierra y a su gente. </text>
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                <text>Quiroz Muñoz, Roberto Edgardo</text>
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                <text>Arte Sonoro Austral Ediciones</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Poesía </text>
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              <text>Serrano Ilabaca, Bruno, 1943- Chileno. Escritor y pintor, con estudios en artes plásticas, teatro y filosofía.</text>
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              <text>Santiago de Chile</text>
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            <description>A name given to the resource</description>
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                <text>País Sin Territorio</text>
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                <text>La poesía y la lengua: la escritura, lo dicho, lo interdicto, la memoria y una bandera a media asta hallan lugar en la poesía de Bruno Serrano Ilabaca (Chillán, 1943), de la misma forma en que el pensamiento requiere de su estructura repetitiva para elaborar los espacios de (la) memoria. Memoria, que en el caso del autor, ha sido atravesada por el constante trabajo social y político que, pese a estar inscritos en su poesía, han sido leídos desde el límite: como monumento a una memoria que “paradójicamente“ quiere olvidar. Pero, precisamente, en su obra, encontramos ausencia de monumento y de olvido, puesto que los textos no dan cuenta de recuerdos que han sido congelados en el tiempo, para ser olvidados en la continua repetición de la mirada, sino que presentan una voz que apela constantemente a la reconfiguración del sujeto a partir de la derrota cotidiana. Los versos de País sin territorio están corroídos por el habla de un sujeto que como una res/ha sido marcado sobre el pecho/y deberá vagar sin Patria por el mundo, encontrando en la escritura un lugar para exteriorizar heridas subterráneas y sin territorio, tal como los poemas que vagan una y otra vez por otros libros, por otros cuerpos y otros lugares, que permanecen anclados al acontecer. Aunque en esa repetición se encuentre la negación al arraigo, y aparezca en toda su magnitud la presencia del fracaso, la preservación de una ideología que convierte las imágenes en lengua, como una forma de resistir, sin olvidar el país/que existe/en la línea paralela/que traza la memoria.    Michelle Riveros Celis</text>
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                <text>Serrano Ilabaca, Bruno</text>
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            <name>Publisher</name>
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                <text>Alquimia Ediciones</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2013</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Poesía </text>
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              <text>Semblanza del padre como otro / Antonia Torres -- Ausencia de Jorge Torres / Ricardo Mendoza -- Recurso de amparo -- Palabras en desuso -- Graves, leves y fuera de peligro -- Poemas encontrados y otros pre-textos -- Poemas renales -- La dicha vacante -- Origen, fulgor y vigencia del valdivano -- Otros textos.</text>
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              <text>Torres Ulloa, Jorge, 1948-2001 Nace en Valdivia el 25 de septiembre de 1948. Hijo de José María Torres, primer alcalde socialista de la ciudad (1956-1960) y Teodisa (Tita) Ulloa, que tuvo indudable influencia en aspectos cruciales de su creación. Profesor normalista, radio control, boxeador aficionado, teatrista, artesano, librero, músico popular ”publicó en la década de los 90 sendos casetes de boleros (Nosotros) y tangos (Tinta Roja)”, editor, político militante, cocinero, amén de escritor, sus intereses lo hacen parecer un hombre renacentista ácrono del finis mundi. De su matrimonio con Tatiana Agí¼ero son sus hijos Antonia, escritora, y Román, artista plástico. Aquejado de una penosa enfermedad renal que lo obliga a frecuentes diálisis y, finalmente, a un trasplante en 1987, fallece el 3 de octubre de 2001.</text>
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                <text>Obras completas</text>
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            <description>An account of the resource</description>
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                <text>Este magnífico libro ”tanto desde lo propiamente poético, hasta su objetualidad” recoge por vez primera toda la obra de un creador valdiviano. A Jorge Torres le ha correspondido ese honor y el crédito mayor lo tiene Ricardo Mendoza, editor de Kultrún, quien comenzó su fecunda colaboración editorial con el poeta a partir del texto capital Poemas renales (1992). A los libros reseñados en este documento, se agregan un imperdible prólogo de su hija Antonia, La dicha vacante (2000), Origen, fulgor y vigencia del valdiviano (póstumo 2001), con prólogo de Augusto Merino (Ruperto Di Nola) y una miscelánea de otros textos aparecidos en diversos soportes. Acompaña a la edición dos CD conteniendo los tangos, el uno, y los boleros, el otro, grabados por Torres.</text>
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                <text>Torres Ulloa, Jorge</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="6973">
                <text>El Kultrún</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6974">
                <text>2013</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Poesía </text>
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              <text>Rio Bueno</text>
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                <text>Madera mojada</text>
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                <text>Poemario de Luis Eduardo Uribe Corvalán</text>
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                <text>Uribe Corvalán, Luis Eduardo</text>
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                <text>2013</text>
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              <name>Title</name>
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                  <text>Poesía </text>
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              <text>Persus Nibaes Seudónimo de Javier Alejandro Soto Cárdenas, escritor y poeta. Profesor de Historia y Geografía, Magíster en Ciencias Humanas con mención en Historia, Magíster en Estudios Culturales y Literarios, ambos por la Universidad de Los Lagos. Alumno del Doctorado en Ciencias Humanas, mención Discurso y Cultura, en la Universidad Austral de Chile. Ha sido galardonado en diversos concursos de poesía y cuento. El año 2003 publicó el libro Cuentos prematuros  y poemas con espinas, y ha publicado  en diversas antologías de ambos géneros. Ha sido invitado a encuentros y lecturas de poesía en Chile, Bolivia y Colombia. El año 2013 es becario del Fondo del Libro por su novela de ciencia  ficción La Floresta, pirámides de otro mundo.</text>
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                <text>El Mecanografiado, Poesía, Cuento y Crítica.</text>
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                <text>E_l_ _M_e_c_a_n_o_g_r_a_f_i_a_d_o_ _n_a_c_e_ _e_l_ _v_e_r_a_n_o_ _d_e_l_ _2003 como una idea de crear un espacio de difusión para la poesía que escribíamos con un grupo de amigos de la carrera de Historia y Geografía en la Universidad de Los Lagos. El nombre apareció en mi cabeza mientras pensaba cómo llamar el díptico que queríamos crear, cuando en Puerto Montt barnizaba las cabañas de mi tío Claudio. En esa época, en Osorno, mi compañero de casa, el poeta Abraham Sandoval escribía sus poemas en una vieja máquina de escribir; por lo que se me ocurrió que esa debía ser la estética del proyecto, como una forma de resistencia a la modernidad y rescate de las viejas formas de hacer cultura en pleno siglo XXI. Persus Nibaes</text>
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                <text>2013</text>
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                <text>Poemario de Rodrigo Landaeta.</text>
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                <text>Landaeta, Rodrigo</text>
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                <text>Alquimia Ediciones</text>
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Chilena. Magíster en Literatura Hispanoamericana Contemporánea (Universidad Austral de Chile), Licenciada en Letras con mención en Literatura y Lingüística Hispánica (Pontificia Universidad Católica de Chile), Licenciada en Educación (PUC) y Profesora de Castellano (PUC).&#13;
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Además, fue la Coordinadora académica del Diplomado en Fomento lector y Lij, impartido por la misma casa de estudios.&#13;
Ha realizado múltiples talleres, conferencias, cuenta cuentos y actividades de mediación lectora en Chile y el extranjero, entre los que destaca ser la directora de los Encuentros de mediadores de lectura de la Región de Los Ríos, desde el 2010 a la fecha.&#13;
Escritora, narradora y co fundadora de la Compañía de cuenta cuentos Pajarísticas. También es parte de la Agrupación Arpilleristas de Angachilla y desarrolla actividades de cuenta cuentos con&#13;
otros libros textiles, escritos y elaborados por ella.&#13;
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              <text>Reúne obras de 18 escritores:   Estella del Carmen Fuentealba Ojeda -- Herminda Gladys Muñoz Torres -- Olga Araneda --Jeanette del Carmen Huequemán García -- María Luzmira Contreras Oyarzún -- Maria Nela Acuña Monge -- Teresa del Carmen García Mancilla -- Marta Rosales Solís -- Marc Valenz -- Gloria Oriana Yobánolo Vilches -- Raúl Ricardo Buamscha Harcha -- Emin Silvestre Obando -- Moisés de las Rosas Castro Parra -- Fanny Needham Petersen -- Juvelina Jaramillo Catalán -- Eberardo Perez Van den Molen -- Marlene Dornemann Sangmeister.  Esta selección es temática y estilísticamente diversa, sin embargo hay algunos rasgos generales que destacan:   1.- Existe la tendencia regionalista expresada tanto en el ámbito geográfico como en la cultura y el lenguaje regional. 2.- Otro rasgo general importante es la conciencia de no tener la verdad absoluta de las cosas que tratan sus escritores ("Se observa una actitud de búsqueda más que de respuestas"). 3.- Tendencia individualista de sus autores, se observa "un profundo deseo de identificar su vida real con los textos que han producido, con lo cual acercan su literatura a un modo testimonial de escritura".  (Del prólogo del Dr. Juan Carlos García Vera).</text>
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              <text>Los archivos de la niebla : notas para leer Reducciones de Jaime Luis Huenun / Sergio Mansilla Torres -- Entrada a Chauracahuin -- Ceremonias -- Cuatro cantos funerarios -- Envios -- Reducciones -- Las lenguas abuelas : eso es todo que queda en el tintero : sobre Reducciones de Jaime Huenun / por Enrique Foffani.</text>
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              <text>Jaime Luis Huenún, Escritor nacido en Valdivia en 1967, hijo de padre huilliche y madre huinca.  Estudió Pedagogía en Castellano en la Universidad de la Frontera de Temuco. Como poeta ha publicado Ceremonias (Universidad de Santiago de Chile (1999), Puerto Trakl (LOM Ediciones, 2001) y Reducciones (Piedra del Sol Ediciones, 2008). Además, ha sido compilador de las antologías 20 poetas mapuches contemporáneos (LOM Ediciones, 2003), La memoria iluminada.Poesía mapuche contemporánea (Maremoto, España, 2007), Los cantosocultos (LOM Ediciones, 2008) y Lof sitiado. Homenaje poético al pueblo mapuche de Chile (LOM Ediciones, 2011). Huenún, ha sido fundamental en la difusión y desarrollo de lo que entendemos como poesía mapuche contemporánea.</text>
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                <text>Poemario de Jaime Luis Huenún.   La presente obra de Jaime Huenún profundiza poéticamente en la historia mapuche y mestiza del país, configurando un despliegue de voces y escrituras en las que se cruzan los cantos y relatos ancestrales, la crónica, el testimonio y el relevamiento de fuentes documentales y de archivo referidas a las sociedades indígenas de Chile. El resultado “como señala Sergio Mansilla“ es una polifonía y una heterogeneidad cultural (y psíquica) siempre en proceso, plástica ante la mutabilidad constante de las relaciones de poder y de la eficacia de los modelos inter e intraculturales.</text>
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                <text>Obra viva : nueva poesía en Valdivia 98-12 / propuesta y prólogo Bruno Serrano Navarro ; selección Claudia Gómez, Bruno Serrano Navarro, Rodrígo Landaeta y Miquel Rojas.</text>
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              <text>Poeta, editor y Profesor de Estado chileno. Nació en Nueva Imperial el 09/06/1941.</text>
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                <text>Poemario de Omar Lara.</text>
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              <text>El presente libro del poeta chileno David Miralles, recoge las claves recurrentes de su poesía anterior, aunque se observa la madurez de su escritura y la consolidación de un imaginario poético muy personal. En gran parte de estos poemas, el elemento articulador vuelve a ser la problemática de la escritura frente a lo real. Obsesión que, evidentemente, no lo conduce, ni antes ni ahora, a experimentalismo formal alguno, sino, más bien, a una cierta economía de recursos. Esta es, ciertamente, la culminación de años de maduración: lecturas y contra lecturas pueden adivinarse en la trama, no siempre accesible de esta poesía. La emergencia de este libro viene a poner un fin a la condición de borradores en que parecen haber dormitado durante años los textos que lo componen. Aparentemente se trata de una continua reescritura, no tanto, -adivinamos-para llegar a una elusiva frontera, sino más bien porque en dicho juego precisamente ya no son posibles las fronteras ni los destinos. Parece evidente que la gran pulsión que alimenta a esta literatura surge desde los intersticios y fisuras de un mundo fragmentado al que el desolado personaje que se erige a menudo en la voz de estos poemas intenta organizar en una discursividad cartesiana que, no obstante, nunca logra engañarnos del todo. La ironía de tal gesto resulta con frecuencia el gran acierto de muchos de estos textos. El simulacro de organización en que se intenta hacer descansar el sin sentido de situaciones aberrantes en las que, sin embargo, no reconocemos la pura fantasía, sino una cierta fatalidad que bien podría recibir el nombre de realidad. La disonancia que muchos de los textos establecen entre la racionalidad de su discurso y la delicuescencia de sus temas, juega el papel de proyectar sobre el lenguaje una extraña luz que parece fundir (confundir) dicho lenguaje y su hipotético exterior. Es en este aspecto que esta poesía resuelve con maestría aquella exigencia que pesa sobre cualquier arte, es decir, que la forma no alcance un protagonismo que reduzca el sentido a una mera espuma. La argucia parece ser aquí que todos los textos arrancan de lugares previamente advertidos, de situaciones y espacios que pre existen a cualquier trocadura en lenguaje, que quizás ya son otro lenguaje. Se advierte pues, una tópica ante la cual el lenguaje de los textos termina por revelárnosla bajo un aspecto a veces espectral, a veces, en su pura banalidad.  Dra. Mónica Sigg Pallares  Tomado de la Presentación.</text>
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                <text>Mirar la ciudad : pintura y poesía</text>
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                <text>Poemario Omar Lara, Sebastián Burgos.</text>
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              <text>1. Ajens, Andrés /  2. Ancalao, Liliana /  3. Añiñir, David /  4. Aranda, Felipe  /  5. Arrate, Marina /  6. Arroyo Silva, Antonio /  7. Ayala, José Luis /  8. Battilana, Carlos /  9. Bello, Javier /  10. Berenguer, Carmen /  11. Bossini, Samuel /  12. Brodsky, Camilo /  13. Bustos, David /  14. Caniguán, Jaqueline /  15. Carrasco, Julio /  16. Casas, Ricardo /  17. Cifuentes, Víctor /  18. Cocom Pech, Jorge /  19. Colín, Marcial /  20. Colipán, Bernardo /  21. Coñuecar, Ivonne /  22. Coppola, Pavella /  23. Crespo Massieu, Antonio /  24. Cuevas Cob, Briceida /  25. Cuevas, José íngel /  26. Del Río, Alejandra /  27. Díaz Wentén, Yeni /  28. Domínguez, Alexandra /  29. Eisner, Federico /  30. Espinosa, Julio /  31. Etcheverry, Jorge /  32. Eytel, Guido /  33. Falcón, Enrique /  34. Fariña, Soledad /  35. Figueroa, Damsi /  36. Fugellie, Astrid /  37. Ghigliotto, Galo /  38. Gonzalez Barnet, Ernesto /  39. Gonzalez Díaz, Christián /  40. Gonzalez, Odi /  41. Gonzalez, Yanko /  42. Gutiérrez, María /  43. Guzmán Rallimán, Alberto /  44. Hahn, Oscar /  45. Harris, Thomás /  46. Hernández, Elvira /  47. Hienam, Elías /  48. Huenuán, Juan /  49. Huenún, Jaime /  50. Huenuñir, María Inés /  51. Huenuqueo, Omar /  52. Huirimilla, Paulo /  53. Lara, Omar /  54. Lespada,Gustavo /  55. Levi, Carlos /  56. Leyton, Eduardo /  57. Lienlaf, Leonel /  58. Lincomán Inacheo, José Santos /  59. Lobos, Leo /  60. López-Hernández, Miguel íngel /  61. Mallol, Anahí /  62. Mansilla, Sergio /  63. Massoia, Bernardo /  64. Mellado, Silvia Renee /  65. Memet, José María /  66. Mestre, Juan Carlos /  67. Millahueique, César /  68. Miranda Rupailaf, Roxana /  69. Mora Curriao, Maribel /  70. Muñoz Sanjuán, Miguel íngel /  71. Muñoz, Sergio /  72. Neira, Elizabeth /  73. Nómez, Naín /  74. Ordoñez , Carlos /  75. Palma, Cecilia /  76. Panchillo, María Teresa /  77. Paredes, Yenny /  78. Parra, Sergio /  79. Pinos, Jaime /  80. Pulquillanca, Eliana /  81. Quintupil, Erwin /  82. Riedemann, Clemente /  83. Rodriguez, Sergio /  84. Rojas, Rodrigo /  85. Saavedra, Oscar /  86. Salazar, Jeanette /  87. Saldaño, Marcela /  88. Sanhueza, Leonardo /  89. Santander Leal, Juan /  90. Silva Acevedo, Manuel /  91. Silva Catalán, René /  92. Simonit, Graciela /  93. Spíndola, Jorge /  94. Trujillo, Carlos /  95. Urriola, Malú /  96. Utreras Imilmaqui, Miguel /  97. Valdebenito, íngel /  98. Valenzuela, Guillermo /  99. Véjar, Francisco /  100. Velásquez, Jorge /  101. Vicuña, Cecilia /  102. Villalobos, Simón /  103. Waikilao, Mauricio /  104. Zondek, Verónica /  105. Zurita, Raúl</text>
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              <text>Jaime Luis Huenún, Escritor nacido en Valdivia en 1967, hijo de padre huilliche y madre huinca.  Estudió Pedagogía en Castellano en la Universidad de la Frontera de Temuco. Como poeta ha publicado Ceremonias (Universidad de Santiago de Chile (1999), Puerto Trakl (LOM Ediciones, 2001) y Reducciones (Piedra del Sol Ediciones, 2008). Además, ha sido compilador de las antologías 20 poetas mapuches contemporáneos (LOM Ediciones, 2003), La memoria iluminada. Poesía mapuche contemporánea (Maremoto, España, 2007), Los cantosocultos (LOM Ediciones, 2008) y Lof sitiado. Homenaje poético al pueblo mapuche de Chile (LOM Ediciones, 2011). Huenún, ha sido fundamental en la difusión y desarrollo de lo que entendemos como poesía mapuche contemporánea.</text>
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                  <text>Poesía </text>
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              <text>Glosario  Antecedentes de los poetas antologados  Propuesta metodológica para la utilización de poemas mapuches en la educación general básica  Cuadro resumen de características generales de los poemas  Guía de aprendizaje: conozcamos la poesía mapuche 3° y 4°  Guía de aprendizaje: aprendizaje con la poesía mapuche 5° y 6°  Guía de aprendizaje: aprendamos con la poesia mapuche 7° y 8°.    32 poetas participaron, ellos son:    Pedro Aguilera Milla  Lorenzo Aillapán Cayuleo  César Ancalaf  Amalia Andaur Huechante  Cristian Antillanca  David Aniñir  Jaqueline Caniguán  Víctor Cifuentes Palacios  Marcial Colín Lincolao  Bernardo Colipán  Juan Huenuán Escalona  Jaime Luis Huenún Villa  María Inés Huenuñir  Omar Huenuqueo Huiaquinao  Paulo Huirimilla Oyarzo  Juana Lancapichún  María Isabel Lara Millapán  Emerson Licanleo  Leonel Lienlaf  Carlos Levi Reñinao  Ricardo Loncón  Faumelisa Manquepillán  César Millahueique  Roxana Miranda Rupailaf  Maribel Mora Curriao  María Teresa Panchillo  Eliana Pulquillanca  Erwin Quintupill  Ramón Quichiyao  Fernando Raguileo  José Teiguel  Miguel Utreras Imilmaqui</text>
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                <text>La palabra es la flor : poesía mapuche para niños = Rayengey ti dungun pichikeche ñi mapuche kumwiri</text>
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                <text>El Programa de Educación Intercultural Bilingí¼e del Mineduc ha editado, en noviembre del 2011, una antología de poesía mapuche para niños.</text>
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              <text>Verónica Zondek nació en Santiago de Chile en 1953. Reside actualmente en Valdivia, ciudad a la que ha dedicado uno de sus libros. Poeta, traductora y gestora cultural. Licenciada en Historia del Arte en la Universidad Hebrea de Jerusalén. Forma parte de diversos comités editoriales. Es asesora externa del Dpto. de Coordinación de Extensión de la Facultad de Filosofía y Humanidades de la Universidad Austral de Chile. Ha participado en numerosos encuentros literarios, tanto en el país como en el extranjero y ha sido organizadora o co-organizadora de muchos otros. Ha formado parte del jurado de concursos como los del Consejo del Libro, Fondart, Chilectra y Fernando Santiván. Ha obtenido dos veces la beca que otorga el Fondo del Libro para escribir, en 1997 y en el 2006 . La beca Fondart la recibió el 2007 para realizar junto al fotógrafo Abel Lagos el proyecto La Raiz del Viento en la Patagonia.    Ha sido publicada en muchas y diversas antologías de poesía de Chile y otros países. Sus poemas y artículos han aparecido en revistas de literatura tanto nacionales como extranjeras. Ha incursionado en trabajos poéticos visuales y audiovisuales, También ha trabajado en colaboración con pintores, grabadores y fotógrafos. Y ha  presentado algunas obras performáticas.    No puede dejar de mencionarse su magnífico trabajo antológico sobre la obra de Mistral: Poesía reunida.</text>
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                <text>La ciudad que habito</text>
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                <text>El largo poema dividido en seis secciones construye, entre los nombres de las aguas y las aves, una geografía holográfica donde en un amasijo de siglos de historia y los presentes conflictos políticos y ambientales, la poeta se instala en dos planos: el uno, social, con las menciones a los lugares y sus personajes ”la plaza, sus transeúntes, su lustrabotas; las vendedoras ambulantes; el café y el museo y ahí los amigos”; el otro, íntimo, en el recogimiento de las costumbres láricas: el tejido, las conservas para el invierno duro, el mate ceremonial.    La vida del agua es llamada en todos sus bautismos; la belleza de los pájaros en todos sus cantos; la maldita codicia en todas sus máscaras.    La ciudad es lo efímero entre temblores, enormes temporales y el río que inevitablemente corre a su fin temporal.</text>
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                <text>Zondek, Verónica</text>
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                <text>El Kultrún</text>
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                  <text>Poesía </text>
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                <text>Kumedungun / Kumewirin. Antología poética de mujeres mapuches (siglos XX - XXI)</text>
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                <text>Esta antología recupera y sistematiza la poesía producida por mujeres mapuche. Se inicia con una muestra de los cantos tradicionales y culmina con una selección de lo más destacado de las poetas contemporáneas, desde los 70 en Chile y los 80 en Argentina. Utiliza así una mirada genealógica a una poesía que busca dar cuenta de la irrupción y contribución al campo poético canónico chileno y latinoamericano.    Maribel Mora Curriao y Fernanda Moraga García (editoras)</text>
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              <text>González Cangas, Yanko, 1971- Poeta chileno. N. en Santiago, Chile en 1976</text>
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                <text>Elabuga : poemas de anticipo</text>
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otros libros textiles, escritos y elaborados por ella.&#13;
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