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                <text>Avísame si estoy muriendo</text>
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                <text>El poemario “Avísame si estoy muriendo” (Editorial Forja, 2018) de Francisco José Paredes Vera (Valdivia, 1987) se enmarca en un tono peculiar, en este sentido. Algo así como un vahído otoñal, recuerdo de otras épocas, un guiño, un ejercicio de pasado.</text>
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                <text> Paredes Vera, Francisco José</text>
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                <text>De cara al viento</text>
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                <text>Poemario de Maria Nela Acuña Monge</text>
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                <text>Horizontes y Sueños Rotos</text>
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              <text>Zondek, Verónica, 953- Chilena. Licenciada en Historia del Arte. Nació en Santiago el 17/12/1953.</text>
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                <text>Poemas y comics por María Teresa Adriasola y Verónica Zondek - Formato: cajita con naipes.  Poemas y comics</text>
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                <text>Editorial Ergo Sum</text>
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                <text>Recopila el trabajo poético que durante 10 años la escritora y poeta Camila Almendra    Dice la autora: "He cocinado estos textos a lo largo de diez años en territorios encontrados desde el habla, otros convidados de curiosa y obligados por mala suerte. Encontrarás: mi casa y las contiguas; arrayanes y un pino; las casas del barrio alto al barrio fino; lof de mis ñañas e iglesias; comunas pequeñas y grandes metrópolis. […] Mi boca entremezcló lenguas, comidas, viajes, codificaciones, internet y barro. […]Vamos por las páginas en una distopía, picunta, límbica desregulada y espiritual. Hablar de la creación propia, siento que pierde el chiste. ¿Qué quiso decir la autora? Espero no estar para que me preguntes.</text>
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                <text>El poemario aborda a un personaje, Pistila, que despierta post criogenia al 2050. El mundo es hostil, pero ella percibe todo lo pasado y lo venidero, lo acuoso, lo sutil y lo terreno. Cables intentan decodificar sus dones o memoria genética en una posthumanidad donde lo digital y lo espiritual parecen pertenecer al mismo plano.</text>
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                <text>Para no dejar en el olvido a los que más lo necesitan;&#13;
- La casa de papel&#13;
- Tu casa forastero es...&#13;
&#13;
Para ser fuertes;&#13;
- Palabras al viento&#13;
- Nuestro camino&#13;
- No te desesperes&#13;
- Los deseos&#13;
- Vive&#13;
&#13;
Para apreciar y cuidar lo que tenemos;&#13;
&#13;
- Plumas&#13;
- Crecer&#13;
- Cinco vestidos negros&#13;
- Don gato&#13;
&#13;
Y poemas de amor para ganar fuerzas por el bien propio y el de los demás, es decir por el Amor.&#13;
&#13;
Me permito...&#13;
¡Te doy mi amor!&#13;
Cartas de amor&#13;
Miras mis ojos&#13;
Él&#13;
Mírame menos&#13;
Y que bello era&#13;
Dadme&#13;
Un año&#13;
La distancia&#13;
¿Eres tu?&#13;
Como me gustas&#13;
A mi gatito Tom</text>
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                <text>Alvarez Campos, Agdena Victoria</text>
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&#13;
Poeta, ensayista, traductor y académico. Ha publicado ArcoSanto (1991), peR,noCto (2002) y Ficciones críticas. Antropologías, literaturas, visualidades (Komorebi Ediciones, 2023); y, junto a Yanko González, La muerte se está fumando mis cigarros (traducción y notas de poemas de Charles Bukowski, 1996), Carne fresca. Última poesía chilena, una muestra (2002), ZurDos. Última poesía latinoamericana (2004) y El pequeño Chartier ilustrado de Roger Chartier (investigación, prólogo y edición, 2021).&#13;
&#13;
Como traductor ha publicado Vider les lieux /Mudanza de Alejandro Zambra (2015), Les cités d’eaux /Las ciudades de agua de Raúl Zurita (2015), Cujo /Cuyo de Nuno Ramos (2020) y La nueva novela / Le nouveau roman de Juan Luis Martínez (co-traducción al francés, 2021).&#13;
&#13;
Después de haber residido en París, donde completó un PhD en Antropología Social y Etnología (en Antropología de la escritura), vive actualmente en Valdivia, donde es docente de la Facultad de Arquitectura y Artes de la Universidad Austral de Chile.</text>
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Poeta, ensayista, traductor y académico. Ha publicado ArcoSanto (1991), peR,noCto (2002) y Ficciones críticas. Antropologías, literaturas, visualidades (Komorebi Ediciones, 2023); y, junto a Yanko González, La muerte se está fumando mis cigarros (traducción y notas de poemas de Charles Bukowski, 1996), Carne fresca. Última poesía chilena, una muestra (2002), ZurDos. Última poesía latinoamericana (2004) y El pequeño Chartier ilustrado de Roger Chartier (investigación, prólogo y edición, 2021).&#13;
&#13;
Como traductor ha publicado Vider les lieux /Mudanza de Alejandro Zambra (2015), Les cités d’eaux /Las ciudades de agua de Raúl Zurita (2015), Cujo /Cuyo de Nuno Ramos (2020) y La nueva novela / Le nouveau roman de Juan Luis Martínez (co-traducción al francés, 2021).&#13;
&#13;
Después de haber residido en París, donde completó un PhD en Antropología Social y Etnología (en Antropología de la escritura), vive actualmente en Valdivia, donde es docente de la Facultad de Arquitectura y Artes de la Universidad Austral de Chile.&#13;
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                <text>Poemario de Germán Arestizábal - Germán Arestizábal nos sorprende en libro de poemas el mismo universo alucinante con que nos ha deleitado en las artes visuales y que le reconocen como uno de los artistas chilenos contemporáneos más relé va ntes.  Iconos de la cinematografía como Humphrey Bogart, Edward G. Robinson, Ava Gardner o Greta Garbo, y del jazz como Miles Davis o Louis Armstrong comparten el escenario en la sutil frontera realidad/ficción con personajes y ambientes chilotes o valdivianos, en un ejercicio siempre refrescante para la imaginación y exigente para el espíritu. "Nadie puede volver a lo que más amó", escribe en el. poema Bogart, bellísimo tributo a la nostalgia, bellísima en sí, cuando se vuelve a ella -como Arestizábal- con las armas del artista, no para negar la realidad sino para expandirla, para hacerla más profundamente humana y encarar la jornada como una nueva oportunidad para jugar a ser felices.  Clemente Riedemann</text>
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&#13;
Editor en Ediciones Inubicalistas. Ha publicado los libros Chilean poetry (Fuga Ediciones, 2008), Vuelo (Ediciones Inubicalistas, 2009), Incomunicaciones (Ediciones Inubicalistas, 2013), La agonía de las imágenes (Komorebi Ediciones, 2024) y la plaquette Mausoleo (Cuadro de tiza Ediciones, 2012).&#13;
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                <text>Poemario de Guido Arroyo González -   Con una sorprendente madurez, un joven poeta nos sitúa en la desafiante encrucijada de nuestro destino. Nos incita a encarar nuestras pérdidas y a despojarnos del agobiante poder paralizador Que ellas poseen. Recordar u olvidar, en la poesía de Guido, es casi una provocación a resolver el ser o no ser de cada día. Desde la lluvia, el viento, la luna... nos conduce fraternal y generosamente a una introspección liberadora, desprovista de culpas y castigos. Su poesía encara sombras y soledades con la alegría gozosa, sangrienta y atrevida, del descubrimiento de vivir.    Sergio Hernández</text>
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Entre el caos y el vacío primigenio, el agua destiló su primer conjuro, una cadencia íntima que dio forma a los mundos. Nos sumergimos en un futuro-origen repleto de alas y estructuras cósmicas, una dimensión donde cada gota contiene una chispa de existencia, cada eco un saber ancestral.&#13;
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El universo es azul, el primer sorbo del amanecer.&#13;
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