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              <text>Munizaga Yávar, Mónica, 1979-&#13;
Chilena. Magíster en Literatura Hispanoamericana Contemporánea (Universidad Austral de Chile), Licenciada en Letras con mención en Literatura y Lingüística Hispánica (Pontificia Universidad Católica de Chile), Licenciada en Educación (PUC) y Profesora de Castellano (PUC).&#13;
Durante 21 años fue docente en aula escolar, y desde el 2008 a la fecha es docente en la Universidad Austral de Chile, a cargo del área de Fomento lector y Literatura para niños y jóvenes.&#13;
Además, fue la Coordinadora académica del Diplomado en Fomento lector y Lij, impartido por la misma casa de estudios.&#13;
Ha realizado múltiples talleres, conferencias, cuenta cuentos y actividades de mediación lectora en Chile y el extranjero, entre los que destaca ser la directora de los Encuentros de mediadores de lectura de la Región de Los Ríos, desde el 2010 a la fecha.&#13;
Escritora, narradora y co fundadora de la Compañía de cuenta cuentos Pajarísticas. También es parte de la Agrupación Arpilleristas de Angachilla y desarrolla actividades de cuenta cuentos con&#13;
otros libros textiles, escritos y elaborados por ella.&#13;
Como poeta ha publicado 6 libros, además de un ensayo crítico sobre poesía, un set de poemas postales ilustrados por Rosana Faría y algunos artículos divulgativos.</text>
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                <text>(Des) pliegues de papel y follaje</text>
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              <text>Primer lugar: “Irene, la de Atenas” Autor: David Avello (Talcahuano)    Segundo lugar “Lo que se hunde” Autor: Marco Antonio Ravanales (San Bernardo)    Menciones honrosas  “Que me voy que me vengo”, de Reinaldo Salazar (Temuco)  “La comarca de los sueños”, de Luis Antonio Lagos (Linares)</text>
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              <text>Ivonne Coñuecar [Coyhaique-Patagonia, 1980]. Licenciada en Comunicación Social / Periodista y actual alumna del Magíster en Literatura Hispanoamericana Contemporánea en la Universidad Austral de Chile.</text>
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                <text>Ivonne Coñuecar - Adiabática compone sus propias fugas por donde habla y dice, por donde pone en práctica el cuerpo de una política de la memoria personal, para agitar la simbólica del recuerdo experiencial en toda su potencialidad crítica de reconstrucción y deconstrucción del cuerpo como desencaje, cerco e interpelación. La sujeto del texto impide que su historia propia se transforme en una representación estática de un tiempo corporal cerrado, irreversiblemente sellado bajo la gravitación de las rememoraciones y amnesias oficiales. La necesidad de desbordar una interioridad, sin transferir térmicamente sus deseos a otros cuerpos, provoca que la protagonista de los poemas interpele a sujetos silentes, a modo de espectros carnosos que deambulan por sus recuerdos recientes.  Obra escritural financiada con la  Beca de Creación Literaria  del Fondo Nacional de Fomento del Libro y la Lectura 2008  del Consejo Nacional de la Cultura y las Artes.</text>
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                <text>Poemario de Andrés Anwandter.  Sin puntuaciones, obviando las mayúsculas y cualquier regla de la gramática ortodoxa y el buen decir en poesía, el séptimo de sus libros nos vuelve a poner en la búsqueda - quizás ahora más consciente que nunca - de un método para "desaprender" las maneras convencionales de entender un poema. se trata de una re-visión de las estructuras que no busca más que llamar la atención sobre la materialidad del lenguaje, provocar una suerte de extrañeza pasajera sobre el medio que utilizamos para comunicarnos; o, tal vez, como dice Anwandter; "permitirnos ver que es posible usar las palabras para componer pequeñas esculturas en movimiento".</text>
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              <text>Agua fuerte es una técnica de grabado, el libro tiene esa analogía de grabado del metal sobre el metal para la impresión. Nuestras cicatrices y arrugas vienen siendo un agua fuerte de la propia historia de nuestras vidas. El ser un 80% agua nos rige la vida en fluidos, como las lágrimas, la sangre, etc.&#13;
&#13;
“Agua fuerte” muestra la visión del poeta frente al lenguaje y la sintaxis y nos invita a ver una cuidad donde nos movemos tranquilos casi sin luz, pero con la seguridad que nos entrega los versos de González.&#13;
Y como lo dice el mismo autor debería bastar con un libro lleno de poemas y no con una biografía , ni comentario. Aludiendo quizás a la contratapa de su libro que es una referencia general del poeta como un personaje mas de una generación, y que viene siendo una invitación a leer poesía.&#13;
&#13;
Fuente: https://bibliotecapaulharris.wordpress.com/2008/06/23/presentacion-libro-aguafuerte/</text>
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                <text>Poemario de Luis Zaror    Luis Zaror es descendiente de palestino. Su abuelo fue oriundo de Belén. En fecha desconocida para él, su abuelo, dos hermanos y un primo salieron de Palestina, invadida por los turcos.  Uno de esos hermanos se quedó en Italia y cuentan que llegó a ser  pastelero del rey. Otro, se quedó en Honduras donde inició negocios  y posteriormente se amplió a Guatemala. Su abuelo y el primo llegaron a Chile (Tus ojos tienen la añoranza/de los hermanos que dejaste/dispersos en el camino). este se estableció en el Sur de Chile y desarrolló un negocio de cabotaje entre Valdivia y comunidades costeras como Toltén, donde, finalmente en 1933, encontró la muerte (Un día, se vino para Chile/ cansado del desierto,/ a la selva húmeda y virgen del Toltén). Al no haber tradiciones árabes en casa (Mi padre/No hablaba de su padre./ Quizás por la distancia del idioma/y del mar.), poco se involucró en el problema árabe.  Sin embargo, algo estaba rondado. El contacto con un primo gatilló su sentimiento árabe (Â¿Por qué tengo que hablar de estos árabes/ si pude vivir sin ellos tanto tiempo?) y comenzó a desarrollar esta recopilación de poesía sobre la tierra natal (Salimos de Palestina, rumbo a América, /para ser más palestinos, /para conservar la sangre y la historia), como parte del tesoro perdido /de las caravanas de los abuelos /recordando Jerusalén. Se cierra el conjunto de poemas con un canto unitario: Palestina  Tengo una amiga judía. /Ella y yo sabemos/que Palestina es una sola/y alcanza para todos.</text>
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                <text>Laura Huaquín es profesora de Ciencias Naturales y Biología, Sus poemas de insectos y moluscos de la costa valdiviana surgen en pandemia como una forma de comunicarse y difundir su conocimiento a la infancia .</text>
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                <text>Segunda publicación de poesía del autor, después de "Itinerario del Olvido" (autoedición, 2014). Aborda aquí la construcción de un espacio poético dominado por una atmósfera emotiva de percepciones delicadamente moduladas; adivinamos o sentimos, bajo las imágenes que se traslapan como "acuareladas" una en otra, una intensa vida emotiva que, no obstante, evita toda estridencia y prefiere la progresiva revelación que tejen esas imágenes fragmentarias, sin bordes nítidos aunque precisas.</text>
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              <text>Los poemas de Luis Soto Padilla aparecen en sus obras anteriores Palabras de otoño (2008) y Nostalgia (2014), pero también aparecen en Prosistas y poetas valdivianos de la Sociedad de Escritores de Chile filial Valdivia en 2005 y 2016, Eslabones de creación y amistad de la Agrupación Literaria Regional (Alire) de Villa Alemana en 2014 y Ecos del Calle Calle (2015) y De la profundidad el alma (2018) del Grupo Literario Poesía y Vida.</text>
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                <text>El profesor, poeta y declamador valdiviano Luis Soto Padilla publicó su libro de antología poética titulado De ayer y de hoy, que reúne los mejores poemas y prosas realizado en sus publicaciones anteriores, así como en otras seis obras de antologías de poetas valdivianos.</text>
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              <text>Participantes: Lorenzo Aillapán (Mapuche), Liliana Ancalao (Mapuche), David Aniñir (Mapuche), José Luis Ayala (Aymara), César Cabello (Mapuche), Rosa Chávez (Maya), Víctor Cifuentes (Mapuche), Marcial Colín (Mapuche), Bernardo Colipán (Mapuche), Briceida Cuevas Cob (Maya), Susy Delgado (Guaraní), Odi González (Quechua), Jaime Huenún (Mapuche), Graciela Huinao (Mapuche), Paulo Huirimilla (Mapuche), Pedro Humire (Aymara), Ariruma Kowii (Quichua), María Isabel Millapán Lara (Mapuche), Carlos Levi (Mapuche), Leonel Lienlaf (Mapuche), Ricardo Loncón (Mapuche), Miguel íngel López-Hernández (Wayuu), Macario Matus (Zapoteca), César Millahueique (Mapuche), Roxana Miranda Rupailaf (Mapuche), Maribel Mora Curriao (Mapuche), Dourvalino Moura Fernández (Desana), Mario Nandayapa (Maya), María Teresa Panchillo (Mapuche), Eliana Pulquillanca (Mapuche), Erwin Quintupil (Mapuche) y José Teiguel (Mapuche).</text>
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              <text>Novena Región:   Ernesto González  Barnert  Rodolfo Hlousek Astudillo  Sebastian  Farah  Angel  Valdebenito  Maribel Mora  Darco Aldana  Luis  Marin  Gerardo   Quezada    Decima Región:   Andres  Adwanter  Antonia   Torres  Diego Masonni  Leonardo  Videla  Paulo Hurimilla  Pedro Montealegre  Antonio   Molina  Roxana Miranda  Bruno Serrano  Jenny Paredes</text>
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Poeta, ensayista, traductor y académico. Ha publicado ArcoSanto (1991), peR,noCto (2002) y Ficciones críticas. Antropologías, literaturas, visualidades (Komorebi Ediciones, 2023); y, junto a Yanko González, La muerte se está fumando mis cigarros (traducción y notas de poemas de Charles Bukowski, 1996), Carne fresca. Última poesía chilena, una muestra (2002), ZurDos. Última poesía latinoamericana (2004) y El pequeño Chartier ilustrado de Roger Chartier (investigación, prólogo y edición, 2021).&#13;
&#13;
Como traductor ha publicado Vider les lieux /Mudanza de Alejandro Zambra (2015), Les cités d’eaux /Las ciudades de agua de Raúl Zurita (2015), Cujo /Cuyo de Nuno Ramos (2020) y La nueva novela / Le nouveau roman de Juan Luis Martínez (co-traducción al francés, 2021).&#13;
&#13;
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